Here they are! The official 2011 Tony Award nominations!
Best Play | |||
Good People | Author: David Lindsay-Abaire |
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Jerusalem | Author: Jez Butterworth |
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The Motherf**ker with the Hat | Author: Stephen Adly Guirgis |
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War Horse | Author: Nick Stafford |
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Best Musical | |||
The Book of Mormon | |||
Catch Me If You Can | |||
The Scottsboro Boys | |||
Sister Act | |||
Best Book of a Musical | |||
Bloody Bloody Andrew Jackson | Alex Timbers | ||
The Book of Mormon | Trey Parker, Robert Lopez and Matt Stone | ||
The Scottsboro Boys | David Thompson | ||
Sister Act | Cheri Steinkellner, Bill Steinkellner and Douglas Carter Beane | ||
Best Original Score (Music and/or Lyrics) Written for the Theatre | |||
The Book of Mormon | Music & Lyrics: Trey Parker, Robert Lopez and Matt Stone | ||
The Scottsboro Boys | Music & Lyrics: John Kander and Fred Ebb | ||
Sister Act | Music: Alan Menken Lyrics: Glenn Slater |
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Women on the Verge of a Nervous Breakdown | Music & Lyrics: David Yazbek | ||
Best Revival of a Play | |||
Arcadia | |||
The Importance of Being Earnest | |||
The Merchant of Venice | |||
The Normal Heart | |||
Best Revival of a Musical | |||
Anything Goes | |||
How to Succeed in Business Without Really Trying |
Best Performance by an Actor in a Leading Role in a Play | |||
Brian Bedford | The Importance of Being Earnest | ||
Bobby Cannavale | The Motherf**ker with the Hat | ||
Joe Mantello | The Normal Heart | ||
Al Pacino | The Merchant of Venice | ||
Mark Rylance | Jerusalem | ||
Best Performance by an Actress in a Leading Role in a Play | |||
Nina Arianda | Born Yesterday | ||
Frances McDormand | Good People | ||
Lily Rabe | The Merchant of Venice | ||
Vanessa Redgrave | Driving Miss Daisy | ||
Hannah Yelland | Brief Encounter | ||
Best Performance by an Actor in a Leading Role in a Musical | |||
Norbert Leo Butz | Catch Me If You Can | ||
Josh Gad | The Book of Mormon | ||
Joshua Henry | The Scottsboro Boys | ||
Andrew Rannells | The Book of Mormon | ||
Tony Sheldon | Priscilla Queen of the Desert | ||
Best Performance by an Actress in a Leading Role in a Musical | |||
Sutton Foster | Anything Goes | ||
Beth Leavel | Baby It's You! | ||
Patina Miller | Sister Act | ||
Donna Murphy | The People in the Picture | ||
Best Performance by an Actor in a Featured Role in a Play | |||
Mackenzie Crook | Jerusalem | ||
Billy Crudup | Arcadia | ||
John Benjamin Hickey | The Normal Heart | ||
Arian Moayed | Bengal Tiger at the Baghdad Zoo | ||
Yul Vázquez | The Motherf**ker with the Hat | ||
Best Performance by an Actress in a Featured Role in a Play | |||
Ellen Barkin | The Normal Heart | ||
Edie Falco | The House of Blue Leaves | ||
Judith Light | Lombardi | ||
Joanna Lumley | La Bête | ||
Elizabeth Rodriguez | The Motherf**ker with the Hat | ||
Best Performance by an Actor in a Featured Role in a Musical | |||
Colman Domingo | The Scottsboro Boys | ||
Adam Godley | Anything Goes | ||
John Larroquette | How to Succeed in Business Without Really Trying | ||
Forrest McClendon | The Scottsboro Boys | ||
Rory O'Malley | The Book of Mormon | ||
Best Performance by an Actress in a Featured Role in a Musical | |||
Laura Benanti | Women on the Verge of a Nervous Breakdown | ||
Tammy Blanchard | How to Succeed in Business Without Really Trying | ||
Victoria Clark | Sister Act | ||
Nikki M. James | The Book of Mormon | ||
Patti LuPone | Women on the Verge of a Nervous Breakdown | ||
Best Direction of a Play | |||
Marianne Elliott and Tom Morris | War Horse | ||
Joel Grey & George C. Wolfe | The Normal Heart | ||
Anna D. Shapiro | The Motherf**ker with the Hat | ||
Daniel Sullivan | The Merchant of Venice | ||
Best Direction of a Musical | |||
Rob Ashford | How to Succeed in Business Without Really Trying | ||
Kathleen Marshall | Anything Goes | ||
Casey Nicholaw and Trey Parker | The Book of Mormon | ||
Susan Stroman | The Scottsboro Boys | ||
Best Choreography | |||
Rob Ashford | How to Succeed in Business Without Really Trying | ||
Kathleen Marshall | Anything Goes | ||
Casey Nicholaw | The Book of Mormon | ||
Susan Stroman | The Scottsboro Boys | ||
Best Orchestrations | |||
Doug Besterman | How to Succeed in Business Without Really Trying | ||
Larry Hochman | The Scottsboro Boys | ||
Larry Hochman and Stephen Oremus | The Book of Mormon | ||
Marc Shaiman & Larry Blank | Catch Me If You Can | ||
Best Scenic Design of a Play | |||
Todd Rosenthal | The Motherf**ker with the Hat | ||
Rae Smith | War Horse | ||
Ultz | Jerusalem | ||
Mark Wendland | The Merchant of Venice | ||
Best Scenic Design of a Musical | |||
Beowulf Boritt | The Scottsboro Boys | ||
Derek McLane | Anything Goes | ||
Scott Pask | The Book of Mormon | ||
Donyale Werle | Bloody Bloody Andrew Jackson | ||
Best Costume Design of a Play | |||
Jess Goldstein | The Merchant of Venice | ||
Desmond Heeley | The Importance of Being Earnest | ||
Mark Thompson | La Bête | ||
Catherine Zuber | Born Yesterday | ||
Best Costume Design of a Musical | |||
Tim Chappel & Lizzy Gardiner | Priscilla Queen of the Desert | ||
Martin Pakledinaz | Anything Goes | ||
Ann Roth | The Book of Mormon | ||
Catherine Zuber | How to Succeed in Business Without Really Trying | ||
Best Lighting Design of a Play | |||
Paule Constable | War Horse | ||
David Lander | Bengal Tiger at the Baghdad Zoo | ||
Kenneth Posner | The Merchant of Venice | ||
Mimi Jordan Sherin | Jerusalem | ||
Best Lighting Design of a Musical | |||
Ken Billington | The Scottsboro Boys | ||
Howell Binkley | How to Succeed in Business Without Really Trying | ||
Peter Kaczorowski | Anything Goes | ||
Brian MacDevitt | The Book of Mormon | ||
Best Sound Design of a Play | |||
Acme Sound Partners & Cricket S. Myers | Bengal Tiger at the Baghdad Zoo | ||
Simon Baker | Brief Encounter | ||
Ian Dickinson for Autograph | Jerusalem | ||
Christopher Shutt | War Horse | ||
Best Sound Design of a Musical | |||
Peter Hylenski | The Scottsboro Boys | ||
Steve Canyon Kennedy | Catch Me If You Can | ||
Brian Ronan | Anything Goes | ||
Brian Ronan | The Book of Mormon | ||
Special Tony Award® for Lifetime Achievement in the Theatre | |||
Athol Fugard | |||
Philip J. Smith | |||
Regional Theatre Tony Award® | |||
Lookingglass Theatre Company (Chicago, Ill.) | |||
Isabelle Stevenson Award | |||
Eve Ensler | |||
Special Tony Award | |||
Handspring Puppet Company | |||
Tony Honors for Excellence in the Theatre | |||
William Berloni | |||
The Drama Book Shop | |||
Sharon Jensen and Alliance for Inclusion in the Arts |
I'm thrilled that Athol Fugard is getting the life-time achievement award!! He has dedicated his life to creating plays with awareness of political struggles and uses his plays as a vehicle for social change! Well deserved!!!
Posted by: Kirstin Franklin-Hammergren | May 04, 2011 at 12:39 AM
I am just SHOCKED beyond belief at Daniel Radcliffe being snubbed. I think it's because the committee didn't want to pick only ONE of the leads from BOOK OF MORMON? I don't know. But Dan was stupendous. They should have just given him two Tony awards, one for each hand.
Posted by: Kevin | May 03, 2011 at 11:25 AM